The memorial service I went to was pretty intense because I had tried to put aside my emotions to deal with later, and that was apparently the later. The part that got to me the most was the fact that she had been cremated and her jewelry had not. So, in the pitcher of ashes was a watch that I had always seen on my Nana's wrist. That made it real. The presence of her watch made it undeniable that those ashes were once a body, and not something I could explain away as something else.
Other than that, I've been trying to finish a few projects this week, and had a job interview. During my current job hunt, it struck me that something massive has changed about me as a person and I'm not sure what it is. It's good, but interesting. If the current incarnation of me had met the me from about ten years ago, I wouldn't have liked me.
In my giveaway for the Hop Against Homophobia, wulf was the winner. I will get that sent out Friday or Saturday.
Thursday, May 24, 2012
Thursday, May 17, 2012
Hop Against Homophobia: Giveaway, Iran, The Suicide Grove
Hi. Thanks for stopping by. I'm J. Lannan and it may not be the best time to host my first giveaway and be involved in a blog hop when my first m/m romance-type story won't be out until later this year-- I also have a job interview this morning, and will be out of town for a memorial service for a couple days-- but this is the time I have so I might as well use it.
May 17th is the International Day Against Homophobia and Transphobia and this blog is participating in the Hop Against Homophobia.Click on the picture in order to visit the other blogs involved.

Each blog is doing a giveaway of some sort and here is mine. Since I don't have any extra copies of magazines with my poetry and essays in them I am giving away some random LGBT swag. (Note: I'll probably find something else to add before the hop is over and will add that to the list, or just include it as a surprise)
One Pack of Meiji Hello Panda cookies--they're cute, strawberry-flavored and could be considered snacks that pair well with reading-related activities...
One Rainbow Wristband--I notice a 50% increase in flirting when I wear my rainbow wristband so it must be imbued with magical powers of some kind. (Blog owner not responsible if your wrist band does not have magical powers)
Two Badges--One has a hot dog in a raincoat with "always protect your weenie" printed on it, and the other says "Deal With It" in rainbow lettering
That list almost made me sound orderly...almost. So, in order to be entered to win my giveaway leave a comment on this post and include your e-mail address, or twitter info so I can contact you. When I get back in town on the 21st I'll randomly pick someone and send you a message to get your info.
Here are my two comments on homophobia since the blog hop tackles that issue. The first section discusses Iran's death penalty for homosexuality, and the second is a look at bullying and suicide through imagery I pulled from Dante Alighieri's Inferno. Intermission is exactly as it sounds.
Iran Executes Gay Men
I've been told that I have a gift for shining a different kind of light upon dark subjects, but as I write this I realize that I have trouble bringing my kind of light to a situation that is so horrific and extends far beyond the harassment, name-calling and rock-throwing that I've personally been on the receiving end of.
In college I majored in History and studied Iran's judicial system. It's a sad and corrupt system that often forces confessions via torture. I've always found myself drawn to the study of injustice because I have grand schemes about making the world a better place for everyone. I know that's a Miss America World Peace kind of statement, but it's true. One of the only things I kept around from being raised Catholic was the concept of do unto others as your would have done unto yourself, but even that is a pretty common sense concept.
Several years ago Mahmoud Ahmadinejad claimed that there were no gays in Iran. His American audience laughed. While his delusional nature may be amusing sometimes, the treatment of gays in Iran is no laughing matter. It may surprise you, or may not if you know the region, that consensual sex between men is punishable by death in Iran (and in other parts of the world). During my research I even watched an interrogation video in which a man had kidnapped another man to keep as a sex slave. One was obviously a victim (his teeth were bashed out), but when punishment was handed out both men were executed.
The Iranian judiciary just determined that four men will be executed for consensual sexual activities. The Jerusalem Post has that article.
In 2005 two gay teenagers were executed for the same crime.
These events are happening in this day and age, and I feel stranded on an island of inability because I can't do anything substantial about it other than pass the information along wherever I am able. So this is the information I give to you.
Intermission
Being a Historian left me with this empty feeling of inability. I've heard stories about Historians being epic alcoholics for this very reason--well, that, and no one listens to Historians and History repeats itself if left forgotten...it's a frustrating field. So, where does an angsty, detail-obsessed person who harbors a compelling case of nascent alcoholism turn? Yes, become a writer. It was so obvious.
I still write essays, but now I write other things as well because I want to explore topics instead of theories. Writing gives me a platform, and if you're going to stand on a platform you better have something that you want to say.
The Grove
As I've mentioned before, I was raised Catholic and you can probably guess where I'm going with this...or not. Where earning a History degree left me frustrated with my lack of ability to change History the conformity of Catholicism I attempted to force upon myself left me with a lack of identity. It took me a long time to figure myself out after being told that everything I did could send me to the hell fire. Catholics are a little more subtle than other denominations, but the hell fire is still there. And it can give you quite a sense of hopelessness to live in a constant state of internal and external scrutiny that is simply incompatible with what you feel is true about yourself and the world. I now bring you to the universal topic of bullying and suicide that plagues so many kids in the LGBT community as well as those kids who are just different. I was twelve when I first attempted suicide. I don't really want to discuss the why, or how, or what right now because they're not part of this story, but this next section is the story.
Due to my long-term intimate relationship with suicidal thoughts, the Catholic belief system, and my Italian heritage I took a morbid solace in Dante Alighieri's Inferno. In the middle ring of the 7th Circle of Hell the people who committed suicide exist as gnarled and bleeding thorn bushes that are terrorized by harpies. The suicidal will never regain their bodies after The Final Judgment, but will have their corpses hung from their thorn bushes. (I told you it was morbid) This is the imagery I always return to when thinking about suicide, but I think of it differently because my relationship with nature is stronger than my relationship with the concept of hell.
I invite you to walk with me through the grove of the suicides. At first I feel peace because there is the notion of a quiet comfort in death. The struggle is over, it's true, but that's it...death is the end. We can just keep walking, though. We're not staying. The trees are all thorns and scabs. It's a sign of obvious pain, and the trees now bleed when injured, but in life the pain is not as obvious as a twisted mass of bleeding thorn branches. The scabs reopen old wounds, and the thorns harm those who get too close. It is a desperate situation. Depression puts up barriers or causes people to lash out, but suicide creates a death with painful memories for those who longed to be closer to the victim. Each memory doesn't simply contain the sadness of loss, but also an added nuance of pain because they could not reach the victim.
To me the harpies represent the reasons and torments that lead people to take their own lives, but as you'll notice the harpies are alive and still active to continue their torment. And even trying to understand this torment assails those left behind. Schools do too little, people don't care enough, and pain goes unrecognized, but after another life is lost everyone looks back and points to incidents and people. What good does it do now? Maybe we can stop them from tormenting anyone else, but I think the most important approach is to teach love and compassion. I think people don't love enough.
I want you to know that if you've wandered through the grove of the suicides you should know that you're not alone even though the path seems empty when you're there.
Wow, that was more of a downer than I expected... and I wanted to end with some love.
Here's "Pure" by The Lightning Seeds
May 17th is the International Day Against Homophobia and Transphobia and this blog is participating in the Hop Against Homophobia.Click on the picture in order to visit the other blogs involved.

Each blog is doing a giveaway of some sort and here is mine. Since I don't have any extra copies of magazines with my poetry and essays in them I am giving away some random LGBT swag. (Note: I'll probably find something else to add before the hop is over and will add that to the list, or just include it as a surprise)
One Pack of Meiji Hello Panda cookies--they're cute, strawberry-flavored and could be considered snacks that pair well with reading-related activities...
One Rainbow Wristband--I notice a 50% increase in flirting when I wear my rainbow wristband so it must be imbued with magical powers of some kind. (Blog owner not responsible if your wrist band does not have magical powers)
Two Badges--One has a hot dog in a raincoat with "always protect your weenie" printed on it, and the other says "Deal With It" in rainbow lettering
That list almost made me sound orderly...almost. So, in order to be entered to win my giveaway leave a comment on this post and include your e-mail address, or twitter info so I can contact you. When I get back in town on the 21st I'll randomly pick someone and send you a message to get your info.
Here are my two comments on homophobia since the blog hop tackles that issue. The first section discusses Iran's death penalty for homosexuality, and the second is a look at bullying and suicide through imagery I pulled from Dante Alighieri's Inferno. Intermission is exactly as it sounds.
Iran Executes Gay Men
I've been told that I have a gift for shining a different kind of light upon dark subjects, but as I write this I realize that I have trouble bringing my kind of light to a situation that is so horrific and extends far beyond the harassment, name-calling and rock-throwing that I've personally been on the receiving end of.
In college I majored in History and studied Iran's judicial system. It's a sad and corrupt system that often forces confessions via torture. I've always found myself drawn to the study of injustice because I have grand schemes about making the world a better place for everyone. I know that's a Miss America World Peace kind of statement, but it's true. One of the only things I kept around from being raised Catholic was the concept of do unto others as your would have done unto yourself, but even that is a pretty common sense concept.
Several years ago Mahmoud Ahmadinejad claimed that there were no gays in Iran. His American audience laughed. While his delusional nature may be amusing sometimes, the treatment of gays in Iran is no laughing matter. It may surprise you, or may not if you know the region, that consensual sex between men is punishable by death in Iran (and in other parts of the world). During my research I even watched an interrogation video in which a man had kidnapped another man to keep as a sex slave. One was obviously a victim (his teeth were bashed out), but when punishment was handed out both men were executed.
The Iranian judiciary just determined that four men will be executed for consensual sexual activities. The Jerusalem Post has that article.
In 2005 two gay teenagers were executed for the same crime.
These events are happening in this day and age, and I feel stranded on an island of inability because I can't do anything substantial about it other than pass the information along wherever I am able. So this is the information I give to you.
Intermission
Being a Historian left me with this empty feeling of inability. I've heard stories about Historians being epic alcoholics for this very reason--well, that, and no one listens to Historians and History repeats itself if left forgotten...it's a frustrating field. So, where does an angsty, detail-obsessed person who harbors a compelling case of nascent alcoholism turn? Yes, become a writer. It was so obvious.
I still write essays, but now I write other things as well because I want to explore topics instead of theories. Writing gives me a platform, and if you're going to stand on a platform you better have something that you want to say.
The Grove
As I've mentioned before, I was raised Catholic and you can probably guess where I'm going with this...or not. Where earning a History degree left me frustrated with my lack of ability to change History the conformity of Catholicism I attempted to force upon myself left me with a lack of identity. It took me a long time to figure myself out after being told that everything I did could send me to the hell fire. Catholics are a little more subtle than other denominations, but the hell fire is still there. And it can give you quite a sense of hopelessness to live in a constant state of internal and external scrutiny that is simply incompatible with what you feel is true about yourself and the world. I now bring you to the universal topic of bullying and suicide that plagues so many kids in the LGBT community as well as those kids who are just different. I was twelve when I first attempted suicide. I don't really want to discuss the why, or how, or what right now because they're not part of this story, but this next section is the story.
Due to my long-term intimate relationship with suicidal thoughts, the Catholic belief system, and my Italian heritage I took a morbid solace in Dante Alighieri's Inferno. In the middle ring of the 7th Circle of Hell the people who committed suicide exist as gnarled and bleeding thorn bushes that are terrorized by harpies. The suicidal will never regain their bodies after The Final Judgment, but will have their corpses hung from their thorn bushes. (I told you it was morbid) This is the imagery I always return to when thinking about suicide, but I think of it differently because my relationship with nature is stronger than my relationship with the concept of hell.
I invite you to walk with me through the grove of the suicides. At first I feel peace because there is the notion of a quiet comfort in death. The struggle is over, it's true, but that's it...death is the end. We can just keep walking, though. We're not staying. The trees are all thorns and scabs. It's a sign of obvious pain, and the trees now bleed when injured, but in life the pain is not as obvious as a twisted mass of bleeding thorn branches. The scabs reopen old wounds, and the thorns harm those who get too close. It is a desperate situation. Depression puts up barriers or causes people to lash out, but suicide creates a death with painful memories for those who longed to be closer to the victim. Each memory doesn't simply contain the sadness of loss, but also an added nuance of pain because they could not reach the victim.
To me the harpies represent the reasons and torments that lead people to take their own lives, but as you'll notice the harpies are alive and still active to continue their torment. And even trying to understand this torment assails those left behind. Schools do too little, people don't care enough, and pain goes unrecognized, but after another life is lost everyone looks back and points to incidents and people. What good does it do now? Maybe we can stop them from tormenting anyone else, but I think the most important approach is to teach love and compassion. I think people don't love enough.
I want you to know that if you've wandered through the grove of the suicides you should know that you're not alone even though the path seems empty when you're there.
Wow, that was more of a downer than I expected... and I wanted to end with some love.
Labels:
death,
depressing,
hop,
Iran,
lgbt,
literature,
love,
of a sexual nature,
queer,
quiet friends
Tuesday, April 3, 2012
Review: Queer Fish: An Eclectic Anthology of Gay Fiction
Edited by Rose Mambert and Margarita Bezdomnya
Published by Pink Narcissus Press
This anthology was easy to enjoy because the whole collection is really solid. My favorites were "Mike Dies at the End" by W2, "Baker
Boy" by Thomas Fuchs and "Dark Entries" by Michael C. Thompson. Okay, so I'll just move onward to the
summaries:
Incubus-Ex by Ashley-Renee Cribbins
I could kind of see where this one was going from the
beginning, but I like the inclusion of an incubus. Okay, so the main plot
points would be sister has a relationship with an incubus, Sully, but wants to
go to college unburdened so she puts up a hex bag to bind him to the house. Her
brother, Austin, is the only one who can pull down the hex bag and set Sully
free. He decides not to...as to why he doesn't, that's up to you to find
out.
Mike Dies at the End (A Parody) by W2
First, I just have to say that I love the idea that mystical
powers are sexually transmitted. I love all the well-placed absurdity of this
story. The line the squirrel says near the beginning, and the fact the fries
sing...yeah, you see where I'm going with this-- uh, no you don't. I don't even
know where I'm going.
Anyway, the characters are fun and have lots of personality.
The situations are crazy, but well-written so that makes them believable in a
surrealist on acid kind of way. The descriptions of Real Dolls; horrifying. The
solution to the puzzle; quite entertaining.
In final review I love this story. It speaks to me.
Monsters So Fair by Lyle Blake Smythers
This is a fantasy story about fate and prophecy. The
narrator, Agib, has first been told that he is the person who can end the curse
over a stretch of ocean by destroying the bronze statue on top of Bent Mountain
that keeps destroying boats with magnetism. Droo, the son of a merchant, has
been told that if the statue on Bent Mountain falls he will be killed by a false
Prince named Agib by the time he turns eighteen. The two end up on the same
island, but there is no animosity between them, so how can the second prophesy
be fulfilled if there is love and not war? In a way I was kind of dreading
getting to the ending because the moment that Droo and Agib have together is
quite perfect.
The Song by Rob Rosen
Somewhat scary in the build up to the siren, and I enjoyed
the treasure hunter's determination to thwart the siren's song. The basic story
is that a treasure hunter goes on a quest for gold where he knows that others
have failed due to reports of sirens luring the adventurers to their death. Despite
his preparations the siren manages to get his attention anyway, but not as he
was prepared for.
Dark Entries by Michael C. Thompson
This story is rather twisted and made me want to listen to
Bauhaus while reading to get the full effect. The couple, Jonathan and Lawrence,
in this story already has a lot of issues with drug problems and paranoia just
being the icing on the cake. Lawrence's nightmares and reality start to blur
together, and things get even more disjointed around the time he meets a
strange, but beautiful man on the beach. The strange man appears to be mocking
him, and claims to be named Peter Murphy. Lawrence sees Peter as teasing him,
then he sees him as a disturbing fish creature in his nightmares, and then
Jon's paranoia sees them as entirely something else. The ending of this story
is rather shocking as it is revealed that both men end up with their wishes
fulfilled.
Welcome to Anteaterland by Nathaniel Fuller
I kind of felt like I was missing something as I went through
this story. It was like something bigger going on behind the scenes, which I
guess is kind of what happens in Anteaterland so maybe that all works out.
Blood Sugar Sex Magic by Geogina Li
This story is interesting because it reads like a prose poem
with influences of city life, and I also get this sensation of contrast between
night and day. I had to read this one a couple times to pay attention to
everything that's going on around the characters. The rhythm of the words is interesting.
I also like the idea of James reading the signs and believing that there are
meanings and then other meanings. This story feels like a series of images and has
a pace that reminds me of wandering around cities at night after the bars are
closed and everything is kind of disorienting.
Baker Boy by Thomas Fuchs
I love how this story looked at temptation, and it was
strange enough that I had to tell a friend who has a culinary arts degree about
it right after I read it. References to Baker Boy have been added to our
dialogues about food. So, good job.
In this story a man in the best shape of his life gives into
the temptation of a mysterious bakery, and to the allure of the baker boy who
tempts him with food among other things. Sure, the main character gains a lot of
weight that the sexual escapades can't work off, but the end results were not
quite as expected.
The Zombissager by Colleen Chen
Sir Zomablot is out to conquer Peaceville with his army of
undead cocks that he has packaged and sold as Zombissagers. Super boyfriends Coolman and Awesomeman can't
let that happen. If the names are any indication this is a silly story, but it
is pretty entertaining.
Shudder by Alice Fox
This is a cute little graphic novel-like piece that involves
an exiled noble and the headless apparition of a minstrel who has a demon
problem. The demons look like stretchy cats, which I suppose would be quite
horrifying to see in person. After the demon problem is remedied the exiled man
can stay in the castle and you can cue true love's first kiss, or something
like that.
Mondeval's Heart by Rose Mambert
Ash and Tamaril are companions by chance or fate, but they
are loyal to each other and prepared to die on their quest. Ash is human while
Tamaril is a ferlik who is also Cursed with a powerful magic that can only be
used at a high price. Tamaril trades his memories or blood for magic, use of
the power in the past has destroyed his memory to the point that he doesn't
remember even his original name. This story throws your from the heat of
passion into the heat of battle and makes you wonder what all will be lost and
gained once the fight is over.
Zombie Hunt by Danielle Renn
In a post zombie apocalypse world zombie infectee James Hunt
protects a settlement of survivors in exchange for shelter and feedings of
blood to sustain him. A young man named Evan who lives in the settlement latches
onto Hunt and follows him around. Evan is quite curious and in awe of Hunt and
wishes to forge any sort of connection that he can between the two because they
have a relatively simple past, and within the settlement connections between
people are not as simple as they seem. In this world the ugliness of the
created society in the settlement is hidden behind the façade of civilization. Evan's
actions indicate that he is looking for a sort of salvation and an escape from
the settlement, but how far away can he get? And at what price?
The Hollow Hills of New Hampshire by Frank Muse
This was an amusing horror story about a young man named
Derek who becomes the owner of a brownie--a short, hairy, naked house elf of
lore. (Side note: brownies creep me out already and I rarely encounter them in my
usual reading...so that got to me right away.) At first the brownie makes sure
the apartment is clean, food is prepared and the place is comfortable to the
point of creepiness, but then he starts to cause a bit of trouble when he panics
at the realization that his new owner really has no interest in women or reproduction...and
the Brownie kind of needs him to have an heir in order to survive.
This Won't Hurt a Bit by Thomas Kearnes
The narrator first hooks up with a guy named Harrison, and is
annoyed by Harrison's show of consideration over whether or not he was enjoying
their encounter. Soon after that the narrator admits that he's used to getting
in between couples and at the moment is trying to be involved with Blake, who
is already living with Sam. Blake and Sam are a train wreck of a relationship,
but Blake has obvious feelings of complacency and fatalism towards his
situation. When the narrator is given a slight chance with Blake it isn't quite
what he expected, but from that he garners a sort of revelation.
The Golem of Rabbi
Loew by Johnny Townsend
As I read this I noticed that the pacing of the story feels
similar to a biblical story. I enjoyed this retelling of The Golem of Prague,
and found it easier to read then the version of the original story that I was
supposed to read for a Survey of Jewish Culture class. Anyway, the golem in
this story not only defends the Jewish population of Prague, but also serves as
a companion for Rabbi Loew who feel that his desires for other men would lead
others to sin, but since Joseph lacks a soul there's no concern for him
sinning. The story is quite bittersweet.
Fools in Love by Chelsea Crowley
Gus, the court jester, insults the court wizard, Horatio
Metorimax, and as punishment the jester is forced to assist him in order to
better appreciate the wizard's work. Horatio is surprised to find that he can
relax around Gus and they both get along better than expected. Gus turns out to
be a more complex character than he initially seems and he confesses that he
has been hurt by magic before. This is a cute story and I enjoyed the explanation
of Gus's background, and I think Horatio learned a lot from Gus.
Super Love by Chris Helton
This story deals with the everyday frustration of dating a
super hero, which is a profession with a highly irregular schedule. Odd
schedules are a rather relatable feature of relationships in general, and I
enjoyed seeing how Maddex tried to bridge that divide in order to spend more
time with Greg.
Starpoint Rendezvous by E. Craig McKay
Simon and Jeremy work together as prospectors and play
together in the Melia Starpoint space hotel that can provide all varieties of
tantalizing sexual experiences. They spend most of the story indulging in what
each other, and the hotel, has to offer, but also discuss their newly joined business
endeavors and the trouble of transporting asteroids. I must admit that my mind
kept wondering off while reading this story because I kept imagining what all
could possibly be at such a hotel. So, I generally enjoyed the lazy, sexy and
indulgent nature of this tale, and the excitement of the trials of hauling
asteroids through space kind of took a backseat to the entertainment at the
hotel.
Color Zap! By Sam Sommer
The Genofacility allows two people of any gender to have
children, and produces those children in a regulation manner in which they are prepared
for a drab world, but Spencer was born with periwinkle blue hair. His parents
force him to cover his hair with a hat, and then begin shaving his head as he
gets older. He decides for himself that he wants to show off his hair, but on his
first time out in public he is given an unfair amount of abuse. He soon finds more
people with colorful hair including his boyfriend, Gavin, who has bright green
hair. The people with brightly-colored hair form a society to promote the
acceptance of them in the general population. I found the story interesting and
inspiring and think it was a good note to end the anthology on. The feeling I
got from this story was that even though some progress is made there is still
room for equality, and sometimes different groups get left behind during the
quest for acceptance.
Monday, April 2, 2012
Didn't punch a single hipster. And a basic publishing guide.
I went to CD101 Day Side A on Saturday and I didn't punch a single hipster. I didn't even find one person that I would consider that annoying...so that was good. Maybe it was too cold that night. As far as the show went I liked the set by J. Roddy Walston and the Business (Link to their song "Don't Break the Needle"), and Of Monsters and Men (Link to their song "Little Talks"). Left before Kasabian because it was too cold outside.
Before the show we walked over to the Three-Legged Mare and had a couple beers. It's a pretty nice place and the bartenders are cool, so I think I will definitely go back there in the future. At the LC I can't believe people pay $8 for a giant cup of horrible beer. Recently I have begun to examine my hatred of Bud Lite and Miller Lite, and then realized that I drink PBR sometimes so I have little room to talk... but I never drink it ironically.
The review of Queer Fish will be posted later today. I had to go back and reread several stories and that has slowed down the process. I don't mind rereading them because I like the book.
This is a basic intro to publishing that I wrote for a writing group I'm involved with on VampireFreaks:
Big Publishing Guide
GET SERIOUS
Publishing can be a heartbreaking process even for the best of writers. You create a concept for a story, your characters live on paper--or in your head, or maybe they're a part of you...maybe they talk to you-- and you give them an adventure, then you revise that adventure to make it perfect, and you locate a magazine/anthology/etc and send your story off into the unknown...just to get a form letter in return "I'm sorry, but we're going to pass." There really is no arguing with it, and all you can do is to hope to understand the process.
KNOW THE MARKETS
Researching markets in advance will save you some time, and possibly rejection, if you generally know what a publisher is looking for. It does help to read the publications as well. I've been researching markets for about a year now and still haven't figured out all of it because there are a lot of publications and then there are anthologies, too. If you have a particular piece that you're interested in sending to a publisher I may have a lead on who might be looking for that sort of thing, so reply to this post or send me a message.
What are publishers looking for and where do you find that out?
Duotrope
Make an account here, I'm serious. This page is easy to use and they send out a weekly digest of market updates including new markets, dead markets and temporarily closed markets.
Poets & Writers: Tools for Writers
This page has listings for publishers, magazines, contests and agents. They also list grad school programs, jobs and grant opportunities.
Writers Market
Web page for the book by this name. Requires a subscription fee.
COVER LETTERS--JUST COPIED FROM A PAST POST I DID:
I personally hate writing cover letters, but it does seem to get easier each time. A cover letter is likely the editor's first interaction with you and your writing so it should be professional and courteous. It's okay to be a little clever in tone, but don't be obnoxious. A cover letter is like a sales pitch, so you want to sell yourself and your work as best as you can. It's similar to a pitch letter, but a pitch includes more information on a project and is usually done before the project is finished.
When I worked as an editor on a university-related Arts magazine most cover letters we got said:
"Hi, my name is------- and this is my submission"
And in that situation it was fine to have such a short message. It really depends on where you're sending your work. We didn't refuse to read any submissions due to poor cover letters.
Other places are a bit different. I've seen one place that wants the official cover letter as the first page of the submission, but most places just want the cover letter in an e-mail and the submission itself attached to that e-mail as a word document (or other document type, I know one place that only works with PDF). Pay attention to the individual publisher's guidelines.
When writing a cover letter include:
Editor's name, if you can find it, or just say editors of (whatever the publication is).
Your name--should be obvious.
Publishing history, or if you lack publishing history, but have Creative Writing education you could list that. When it comes down to it most places will only be judging on the merit of what you send them and not your publishing history--unless you are a big name that will help move their publication's sales.
Title of piece, approximate word count and brief synopsis.
Acknowledge where you are submitting it--the magazine, anthology, book, etc.
The fact that you think it will fit what they're looking for.
Thank them for considering your work.
Sometimes the publisher asks for specific things in a cover letter--where you're most easily contacted, where you're from, a short bio in 3rd person, etc.
I figured that the best way to give you an example of a cover letter was to post one that I actually sent out--they rejected the story, but gave me good feedback, (I'm reworking the problem they had with the story and will try submitting again later)-- I just deleted a lot from it.
Dear editors at -----------,
My name is J. Lannan and I'm most easily contacted at (e-mail address here). I've previously been published in Shawnee State's Arts magazine (Silhouette: Spring 2011), the Dylan Days Publication (Talkin' Blues: 2011), and Ohio University-Lancaster's Arts magazine (Station: Spring 2011). "Hey, You Never Know" is my submission to be considered for inclusion in the -------------- anthology. Its complete word count comes in at just a little under 17,000 and has a summary that goes a little something like this:
In "Hey, You Never Know," Ian Winter picks up the missing persons case of Conrad Blum as a favor to a family friend, but has trouble getting any of the homeless people around the park where Conrad was last seen to talk. In fact they seem a little scared of him. With the reluctant guidance of shelter worker Brend, Ian concocts a new identity---------------------In this quest of disappearing bodies, a silver shuttlecock to a quasar, clandestine yard work and political intrigue everyone has a past.
Thank you for your time and consideration,
J. Lannan
BE PREPARED TO WAIT
I currently have submissions in at a magazine that takes up to a year to reply. I think I sent it out in November and obviously I'm still waiting. My fastest rejection came in at a number of hours after sending the e-mail out, and then there are some that never reply. Some places will not allow you to simultaneously submit your story to them and other publications, but some will. Make sure to keep track of these things.
GET REJECTED
Rejection happens. And, if you know the piece is of a good quality, the rejection usually happens because an editor did not like your style or it was just not a fit for their publication. Send it somewhere else. I had a piece rejected last year--personally I think it was too edgy for that publication now that I've actually met the group associated with that anthology-- but I read the story again and made a couple minor revisions and it was picked up by another publisher that is more interested in the sort of things that I write. I currently have plenty of rejected stories that I'm revising at the moment.
ACCEPTANCE
After acceptance you'll have to do a contract of some sort, or sign off on it. For the arts magazine that I worked on we were pretty relaxed and just wanted first rights, and we had each writer sign off on how their piece would look in the magazine. That's when they signed the agreement. I didn't sign off on anything for one of my poems to be included in another university's arts magazine. Currently I'm waiting for my contract for a short story publication. It seems like it will be pretty official and legally binding.
Usually you will get contributor copies. If there is money involved it seems that a lot of small publishers pay through PayPal. I haven't worked with any big publishers. I also have no experience with royalties at this time.
PUBLISHING A NOVEL
This is an addendum because novels are different. I have not pitched a novel, yet, but I've watched my friend go through the process and so far that story is not published.
1. The novel must be complete before it is pitched.
2. Smaller presses will let you pitch the novel directly to them if they are accepting novels, but the really big publishing houses will not accept unsolicited manuscripts--meaning: you need an agent.
3. For novels I suggest getting a copy of the Writer's Market book because they do include statistics on how many novels that a publishing house publishers per year where the novel was represented by an agent or not.
4. The Association for Authors' Representatives is a good place to start looking for an agent. Poets & Writers Literary Agent Database. The Writer's Market also has listings of agents.
5. Whether pitching to an agent or directly to a publisher you will have to write an effective synopsis of the novel and a query letter. (Note: figure out the name of the person you're sending the letter/e-mail to) Some accept e-mail and others do not. There's a lot that depends on the publisher's or agent's preference--they have submission guidelines on their web pages. Query letters pitching the novel should go out much like cover letters for other submissions, so take note of the guide to cover letters I posted in this publishing guide. A synopsis seems like a more common request, but some publishers want the whole novel attached to that e-mail. In general the synopsis itself determines if the publisher or agent wants to read any more of the story. If you only sent a synopsis and the agent or publisher liked it, then they will ask for the first three chapters. If they like those, then they will ask for the whole novel. Here is a link to a successful query letter, so you have an example other than my lack of novel pitching letter experience.
6. Much like other forms of publishing once the letters are sent out, you just wait.
7. If it's rejected: Look for more feedback, reread it yourself, make repairs and try somewhere else. If it’s accepted, good for you.
Even if a piece is accepted by a publisher make sure it is a place where you actually want to be published before you sign a contract. You do not want to be published where they accept everyone because that doesn't speak very highly of the quality of work that they accept.
Before the show we walked over to the Three-Legged Mare and had a couple beers. It's a pretty nice place and the bartenders are cool, so I think I will definitely go back there in the future. At the LC I can't believe people pay $8 for a giant cup of horrible beer. Recently I have begun to examine my hatred of Bud Lite and Miller Lite, and then realized that I drink PBR sometimes so I have little room to talk... but I never drink it ironically.
The review of Queer Fish will be posted later today. I had to go back and reread several stories and that has slowed down the process. I don't mind rereading them because I like the book.
This is a basic intro to publishing that I wrote for a writing group I'm involved with on VampireFreaks:
Big Publishing Guide
GET SERIOUS
Publishing can be a heartbreaking process even for the best of writers. You create a concept for a story, your characters live on paper--or in your head, or maybe they're a part of you...maybe they talk to you-- and you give them an adventure, then you revise that adventure to make it perfect, and you locate a magazine/anthology/etc and send your story off into the unknown...just to get a form letter in return "I'm sorry, but we're going to pass." There really is no arguing with it, and all you can do is to hope to understand the process.
KNOW THE MARKETS
Researching markets in advance will save you some time, and possibly rejection, if you generally know what a publisher is looking for. It does help to read the publications as well. I've been researching markets for about a year now and still haven't figured out all of it because there are a lot of publications and then there are anthologies, too. If you have a particular piece that you're interested in sending to a publisher I may have a lead on who might be looking for that sort of thing, so reply to this post or send me a message.
What are publishers looking for and where do you find that out?
Duotrope
Make an account here, I'm serious. This page is easy to use and they send out a weekly digest of market updates including new markets, dead markets and temporarily closed markets.
Poets & Writers: Tools for Writers
This page has listings for publishers, magazines, contests and agents. They also list grad school programs, jobs and grant opportunities.
Writers Market
Web page for the book by this name. Requires a subscription fee.
COVER LETTERS--JUST COPIED FROM A PAST POST I DID:
I personally hate writing cover letters, but it does seem to get easier each time. A cover letter is likely the editor's first interaction with you and your writing so it should be professional and courteous. It's okay to be a little clever in tone, but don't be obnoxious. A cover letter is like a sales pitch, so you want to sell yourself and your work as best as you can. It's similar to a pitch letter, but a pitch includes more information on a project and is usually done before the project is finished.
When I worked as an editor on a university-related Arts magazine most cover letters we got said:
"Hi, my name is------- and this is my submission"
And in that situation it was fine to have such a short message. It really depends on where you're sending your work. We didn't refuse to read any submissions due to poor cover letters.
Other places are a bit different. I've seen one place that wants the official cover letter as the first page of the submission, but most places just want the cover letter in an e-mail and the submission itself attached to that e-mail as a word document (or other document type, I know one place that only works with PDF). Pay attention to the individual publisher's guidelines.
When writing a cover letter include:
Editor's name, if you can find it, or just say editors of (whatever the publication is).
Your name--should be obvious.
Publishing history, or if you lack publishing history, but have Creative Writing education you could list that. When it comes down to it most places will only be judging on the merit of what you send them and not your publishing history--unless you are a big name that will help move their publication's sales.
Title of piece, approximate word count and brief synopsis.
Acknowledge where you are submitting it--the magazine, anthology, book, etc.
The fact that you think it will fit what they're looking for.
Thank them for considering your work.
Sometimes the publisher asks for specific things in a cover letter--where you're most easily contacted, where you're from, a short bio in 3rd person, etc.
I figured that the best way to give you an example of a cover letter was to post one that I actually sent out--they rejected the story, but gave me good feedback, (I'm reworking the problem they had with the story and will try submitting again later)-- I just deleted a lot from it.
Dear editors at -----------,
My name is J. Lannan and I'm most easily contacted at (e-mail address here). I've previously been published in Shawnee State's Arts magazine (Silhouette: Spring 2011), the Dylan Days Publication (Talkin' Blues: 2011), and Ohio University-Lancaster's Arts magazine (Station: Spring 2011). "Hey, You Never Know" is my submission to be considered for inclusion in the -------------- anthology. Its complete word count comes in at just a little under 17,000 and has a summary that goes a little something like this:
In "Hey, You Never Know," Ian Winter picks up the missing persons case of Conrad Blum as a favor to a family friend, but has trouble getting any of the homeless people around the park where Conrad was last seen to talk. In fact they seem a little scared of him. With the reluctant guidance of shelter worker Brend, Ian concocts a new identity---------------------In this quest of disappearing bodies, a silver shuttlecock to a quasar, clandestine yard work and political intrigue everyone has a past.
Thank you for your time and consideration,
J. Lannan
BE PREPARED TO WAIT
I currently have submissions in at a magazine that takes up to a year to reply. I think I sent it out in November and obviously I'm still waiting. My fastest rejection came in at a number of hours after sending the e-mail out, and then there are some that never reply. Some places will not allow you to simultaneously submit your story to them and other publications, but some will. Make sure to keep track of these things.
GET REJECTED
Rejection happens. And, if you know the piece is of a good quality, the rejection usually happens because an editor did not like your style or it was just not a fit for their publication. Send it somewhere else. I had a piece rejected last year--personally I think it was too edgy for that publication now that I've actually met the group associated with that anthology-- but I read the story again and made a couple minor revisions and it was picked up by another publisher that is more interested in the sort of things that I write. I currently have plenty of rejected stories that I'm revising at the moment.
ACCEPTANCE
After acceptance you'll have to do a contract of some sort, or sign off on it. For the arts magazine that I worked on we were pretty relaxed and just wanted first rights, and we had each writer sign off on how their piece would look in the magazine. That's when they signed the agreement. I didn't sign off on anything for one of my poems to be included in another university's arts magazine. Currently I'm waiting for my contract for a short story publication. It seems like it will be pretty official and legally binding.
Usually you will get contributor copies. If there is money involved it seems that a lot of small publishers pay through PayPal. I haven't worked with any big publishers. I also have no experience with royalties at this time.
PUBLISHING A NOVEL
This is an addendum because novels are different. I have not pitched a novel, yet, but I've watched my friend go through the process and so far that story is not published.
1. The novel must be complete before it is pitched.
2. Smaller presses will let you pitch the novel directly to them if they are accepting novels, but the really big publishing houses will not accept unsolicited manuscripts--meaning: you need an agent.
3. For novels I suggest getting a copy of the Writer's Market book because they do include statistics on how many novels that a publishing house publishers per year where the novel was represented by an agent or not.
4. The Association for Authors' Representatives is a good place to start looking for an agent. Poets & Writers Literary Agent Database. The Writer's Market also has listings of agents.
5. Whether pitching to an agent or directly to a publisher you will have to write an effective synopsis of the novel and a query letter. (Note: figure out the name of the person you're sending the letter/e-mail to) Some accept e-mail and others do not. There's a lot that depends on the publisher's or agent's preference--they have submission guidelines on their web pages. Query letters pitching the novel should go out much like cover letters for other submissions, so take note of the guide to cover letters I posted in this publishing guide. A synopsis seems like a more common request, but some publishers want the whole novel attached to that e-mail. In general the synopsis itself determines if the publisher or agent wants to read any more of the story. If you only sent a synopsis and the agent or publisher liked it, then they will ask for the first three chapters. If they like those, then they will ask for the whole novel. Here is a link to a successful query letter, so you have an example other than my lack of novel pitching letter experience.
6. Much like other forms of publishing once the letters are sent out, you just wait.
7. If it's rejected: Look for more feedback, reread it yourself, make repairs and try somewhere else. If it’s accepted, good for you.
Even if a piece is accepted by a publisher make sure it is a place where you actually want to be published before you sign a contract. You do not want to be published where they accept everyone because that doesn't speak very highly of the quality of work that they accept.
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